Decade Of Dynamite

Monday, January 29, 2007

For all the sport nuts, the franchise managers out there, I came across an interesting article. It refers to hockey, but the concept is universal. Basically, imagine you've assumed control of a team, be it an expansion franchise, you're a Russian billionaire or tyrannical dictator, whatever.

You can have any 20 players from the league (say 10 for cricket or soccer, 40 for NFL etc), at your choice, with all salary cap restrictions waived on two conditions:

  • Each of the 20 players must be given iron-clad 10-year contracts
  • Your club is barred from trading and drafting for the next decade

Imagine that! You can assemble your dream team of the future, but you'd be bound to your decisions for good. As a prospective manager, never before would your actions be so transparent. You'd have to consider everything from potential down to injury proneness when planning so far ahead. Plus it fits in with the youth policies that I end up adopting in video games, regardless of the sport, so it's a concept I think is quite shrewd.

Anyone motivated enough out there to throw out their team for their chosen sport? I'd be willing to match it with a team of my own. Unleash your own "Decade of Dynamite" (as the article calls it)! Any other thoughts on this concept? Would a team dominate from having such talent at their disposal, or tank due to a lack of fresh talent through the draft and an ever-aging squad?

My Top 10 Gigs of 2006

Wednesday, January 24, 2007

1. Gyroscope, Hi-Fi Bar
A supreme performance. They left everything they had on the stage. Lead singer Dan routinely threw up off stage, but we could still see. To top it off, they kept saying they'd finish the night, possibly at the expense of their next show in Adelaide, which delighted the raucous Melbourne crowd even more! It's gigs like that when you (in the crowd) feel a rapport that you've built up with the band. Their sets at Thank God It's Over and the Northcote were fantastic too (the Northcote one made sure we saw the Hi-Fi gig), but I won't clog the list up twice!

2. Franz Ferdinand, Palace
I'd seen them the year before and they were even better this time. The new material rocked out, so there was less filler. Take Me Out still garners a mammoth response (especially after the pause, then "Take Me Out" from the entire crowd!)

3. Hard-Fi, Palace
I'd liked the album, but I was unsure about whether the dance/electro beats could coexist in a rock environment on stage. I shouldn't have been concerned. They were entertaining, funny and got the crowd involved just when it was needed. Hailing from Ali G's suburb of Staines in London, they know soccer crowds can chant and amp up a gig ("We're the stars of CCTV!") - one of my favourite things when done well.

4. The Strokes, Festival Hall
I've never seen such a diverse crowd. It's the only time I'd been asked if I had any pills at a rock concert! They didn't talk heaps, but they played plenty and did it with gusto. The set list was well crafted from their three albums, so kudos there. A few points off for Festival Hall's renowned sticky atmosphere.

5. Coldplay, Rod Laver Arena
Another band working off three albums with a pretty solid set list. The grand entrance of Square One with a countdown timer on screen until the big rock change in the song was impressive. Lead singer Chris Martin mingled with the fans and was chatty as usual, with less preachiness than I expected.

6. Eskimo Joe, Forum
7. Snow Patrol (+ Starky), Metro
8. After The Fall (+ Starky), East Brunswick Club
9. The Fray, Prince of Wales
10. Motion City Soundtrack, Hi-Fi Bar

Highly commended:
Arctic Monkeys (+ The Grates), Palace
U2, Telstra Dome

Best Festival: Thank God It's Over, Sidney Myer Music Bowl
Fuck $100-plus tickets, long queues and limited access to stages during sets (that's you, Big Day Out!). TGIO had a casual and friendly atmosphere, several stages separated by a hill so the noise didn't travel and a great line up of local talent including Gyroscope, Dallas Crane, Shihad, Kisschasy and Karnivool, to name a few. The MySpace stage showcasing generally unsigned bands made the festival though. There's nothing like a chillout sort of area when you don't expect to hear a great band, but keep leaving pleasantly surprised. The crowd seemed to be more genuinely interested in having a good time than at many other shows. The only thing missing was the beer, as it was an underage-friendly gig, but a couple beforehand and then onto the Red Bulls took care of that.

Chicks, Czechs, Beers And Sets

Tuesday, January 23, 2007

In a tradition dating back to a Marat Safin's stirring fourth round victory over the great Pete Sampras, back in 2001 or 2002, my sisters and I have bought tickets for the second Monday night on centre court. The theory is that it's the last night before prices start spiralling, but still with a high quality matchup. Last night's Rafael Nadal/Andy Murray encounter lived up to the traditional billing.

I knocked off work early to beat the peak hour Punt Rd standstill (successfully, although Springvale Rd was hardly a breeze) and roamed the grounds of Melbourne Park, Heineken in hand. The vocal Czech "Berdych Army" were out in force, with 11 of them game enough to do a little body painting to explain who they were. Nikolai Davydenko had a little support too, but mainly from Aussies who couldn't resist paraphrasing Mike Williamson's famous commentary of the Jesaulenko mark: "Davydenko, you beauty!" Nice.

Three or so games later, it was off for a wander around the back courts, more Heineken and then to show court 2 for nearly a set of Daniela Hantuchova in the doubles. Also nice. Sure, I saw Maria Sharapova on centre court later, but from the second tier of Rod Laver, it's not the same. Plus I'd met up with Claire and Erin by then.

The Sharapova match was pretty decent, lasting over an hour and a half (a rarity in women's tennis) even though it was straight sets (regulation in women's tennis). Sharapova was nearly as good as my fifth Heineken. At $6.30 for 425ml, my wallet was useful, but took a beating. You know what else was useful but took a beating? Andy Murray.

I cheered on the young Scot, seeded 15, to upset Spain's Rafael Nadal, seeded 2, with mixed results. Murray looked nervous at times, but hit a stack of cross-court backhand winners and a few big 'uns on serve, interspersed with the precise volleying you'd expect from a guy who's won through to at least the third round of Wimbledon both years he's played.

It looked as though Nadal would win the third set to go 2-1 up, and I would go home, but Murray turned it around to snare the third. Soon Nadal regained the upper hand, and some daft chicks started screeching for Nadal every point, after they'd gone unnoticed and unheard until then. They stared at Nadal every time they did it too, like he'd look up (into the second tier? Come on!), wave to them and propose. I considered doing the same - if by wave to them means showing them my backhand across their face and by propose meaning deliver the proposition that they shut the Federer up.

No happy endings as Nadal won the match, nearly sweeping Murray 6-1 in the fifth, rather anticlimactically. Beer had long been replaced by coffee. By then it was 1:50 am - and hanging around to see a memorable upset turned into a bonehead idea considering two of us had to work. But all's well that ends well: I turned up to work and still have the ability to write a semi-coherent blog. Hurrah!

Radio Pat's Top 100 Songs of 2006: #1-25

Monday, January 22, 2007

Here is it: the important quarter of the list! To The Killers go the spoils, but the real action is in the top 10 albums: the top 100 songs' more attractive sister, if you catch my drift.

1. The Killers - When You Were Young
2. The Fray - Over My Head (Cable Car)
3. Arctic Monkeys - I Bet You Look Good On The Dancefloor
4. Snow Patrol - Hands Open
5. Starky - Me Michelle
6. Sparta - Taking Back Control
7. Gnarls Barkley - Crazy
8. AFI - Miss Murder
9. The Rapture - Pieces Of The People We Love
10. The Fratellis - Chelsea Dagger
11. The Fray - Little House
12. The Killers - Sam's Town
13. Keane - Is It Any Wonder
14. Evanescence - Call Me When You're Sober
15. Snow Patrol - You're All I Have
16. Evermore - Running
17. Arctic Monkeys - When The Sun Goes Down
18. Gomez - How We Operate
19. Starky - Distraction
20. Muse - Starlight
21. Chris Cornell - You Know My Name
22. Howling Bells - Low Happening
23. Love Outside Andromeda - Sparrow
24. The Futureheads - Skip To The End
25. Eskimo Joe - Comfort You

Here's some ordered notes on the top 10, followed by some non-top 10 ones.

  1. When You Were Young has got all the right elements for a song, and still remains sharp and punchy on each listen. It's a brilliant track and I challenge you to defy that!
  2. Over My Head is pretty close to a perfectly written song and well produced. It's also got that ability to sound as soft or as loud as the listener wants to hear. A real sing-along favourite for me as well - wonderful vocals.
  3. I Bet That You Look Good On The Dancefloor grabs you with a frenzy of guitars and then their now-signature riffery that sent Arctic Monkeys on the road to stardom.
  4. Hands Open is a pure rock song, with Gary Lightbody's great lyrics: "It's hard to argue when / You won't stop making sense / My tongue still misbehaves / And it keeps digging my own grave". I'll never forgive them for not playing it live.
  5. Me Michelle has got a great feel and builds well to a rock-spastic finish! The standout effort on their debut album and now one of the leaders of Australian indie in my book.
  6. Taking Back Control is what I'd call music to overthrow governments to.
  7. We all know Crazy, and due to its tremendously wide appeal, it should win every popular (i.e public voted) count there is.
  8. I guess they'd call Miss Murder a punk anthem. I call it number 8 (burp). I got into it before it was popular (triple j) and then again when it was being played heaps, so it was hard to ignore.
  9. Pieces Of The People We Love is a memorable title track from The Rapture, with an electro-indie sound. Also wins best use of hand claps in a 2006 track.
  10. Chelsea Dagger is a little gem most people will never hear. I don't even think it's being released in Australia. If Arctic Monkeys went huge in 2006, I think The Fratellis have got the same sort of raw sound to get on board in future too.
  • Little House is endearingly jagged to the ear, punched home by the solo where the piano and then lead guitar have their moment in the spotlight. Piano is so rarely used aggressively, perhaps because it's viewed as a "beautiful" instrument. Same with acoustic guitar.
  • On multiple occasions, I've chucked on Sam's Town just to vent some frustration to the chorus "Why do you waste my time?". Another classic track.
  • Distraction isn't exactly a stand-out Starky song. It just sounds nice on my stereo with the equalisers set bassy.
  • Howling Bells are quite good. They feature Juanita Phillips from Waikiki, if anyone remembers them, but it's less pop and more edgier indie I suppose. Setting Sun is another one of theirs to wrap your headphones around.

Radio Pat's Top 100 Songs of 2006: #26-50

Friday, January 19, 2007

26. Eskimo Joe - New York
27. The Strokes - You Only Live Once
28. Evermore - Unbreakable
29. Kent - Max500
30. Kasabian - Empire
31. The Futureheads - Area
32. Arctic Monkeys - Leave Before The Lights Come On
33. Little Birdy - Come On Come On
34. Youth Group - Catching And Killing
35. Sneaky Sound System - I Love It
36. Something for Kate - Oh Kamikaze
37. The Fray - How To Save A Life
38. Expatriate - The Spaces Between
39. The Matches - What Katie Said
40. Rise Against - Ready to Fall
41. The Egg - Walking Away (Tocadisco Remix)
42. Red Riders - Slide in next to me
43. Arctic Monkeys - The View From The Afternoon
44. Muse - Supermassive Black Hole
45. Starky - The Wreckery
46. Metric - Monster Hospital
47. The Fray - She Is
48. Expatriate - Killer Kat
49. The Grates - Science Is Golden
50. Snow Patrol - Open Your Eyes

  • These are all 4 or 5 star, 10+ listens on iTunes on my laptop alone (not including my iRiver or at work etc). Basically that means my family should recognise all of these from the sounds eminating from my room.
  • Here come the Aussies: Eskimo Joe, Little Birdy, Youth Group, Sneaky Sound System, Something For Kate, Expatriate, Red Riders, Starky and The Grates.
  • Will, the other Evermore song was Unbreakable. It follows roughly the same formula as Running (uplifting chorus sort of thing), but the quiet bit in the middle created an atmosphere I grew to like. Good choice for their third single in my book.
  • I'll credit Will for introducing me to Kent. It's got the music of Coldplay at their best, but with a more haunting vocalist. Mind you, I didn't work out it was in Swedish until Will told me! I have a habit of making up words and just running with it...
  • There are some punk songs up quite high here (The Matches, Rise Against) and a few more to come. Two of modern (i.e. pop influenced) punk's main ingredients of fast drumming and high pitched singing make them ideal for me to join in when I'm driving the Patmobile!

Radio Pat's Top 100 Songs of 2006: #51-75

Thursday, January 18, 2007

51. The Rapture - Get Myself Into It
52. The Similou - All This Love
53. Rinôçérôse - Cubicle
54. Arctic Monkeys - Fake Tales Of San Francisco
55. Beck - Nausea
56. Taking Back Sunday - Twenty Twenty Surgery
57. Thom Yorke - And It Rained All Night
58. Lordi - Hard Rock Hallelujah
59. The Strokes - Heart In A Cage
60. OK Go - Here It Goes Again
61. Motion City Soundtrack - Everything is Alright
62. Junkie XL - Today
63. Panic! At The Disco - The Only Difference Between Martyrdom and Suicide Is Press Coverage
64. The Matches - You (Don't) Know Me
65. Something With Numbers - Apple Of The Eye
66. Muse - Exo-Politics
67. Rhubarb - The City Life
68. The Living End - Long Live The Weekend
69. Starky - Is This How It Ends?
70. Death From Above 1979 - Blood on Our Hands
71. Evermore - Afloat
72. Sparta - Untreatable Disease
73. Jet - Put Your Money Where Your Mouth Is
74. Little Birdy - After Dark
75. The Mars Volta - Tetragrammaton

Aloha! A few more notes:

  • Tetragrammaton, like The Mars Volta themselves, could be construed as 15-plus minutes of genius...or 15-plus minutes of wank. Your call.
  • In Sparta's Untreatable Disease, the screaming chorus of "You were right" just plain rules.
  • The Matches' You (Don't) Know Me was quite a find: never before have I heard the stylings of punk and The B-52s collide so well...or at all.
  • I am slightly embarrassed to include the Eurovision winner, Hard Rock Hallelujah, at number 58 but I did listen to it a lot mid-year and it's still listenable.
  • At the very top of this group of 25, we've reached the songs that I played obsessively.

Radio Pat's Top 100 Songs of 2006: #76-100

Wednesday, January 17, 2007

So here it begins. All songs had to be from 2006 or was a part of a radio/TV station's rotation predominantly in 2006 to qualify, but not necessarily singles. Any ambitious (at least this early) #1 predictions are welcomed, just leave a comment.

76. Eskimo Joe - Sarah
77. Love Outside Andromeda - Measuring tape
78. Sneaky Sound System - Pictures (Tonite Only Remix)
79. The Grates - 19 20 20
80. Wolf & Cub - This Mess
81. Red Hot Chili Peppers - Dani California
82. The Rapture - The Devil
83. Evanescence - Lacrymosa
84. Little Birdy - Bodies
85. The Strokes - Ize Of The World
86. AFI - Love Like Winter
87. Lost Prophets - Rooftops
88. 30 Seconds To Mars - The Kill (Bury Me)
89. Eagles of Death Metal - I Want You So Hard (Boy's Bad News)
90. Keane - Atlantic
91. Beck - Cellphone's Dead
92. Panic! At The Disco - I Write Sins Not Tragedies
93. The Darkness - Is It Just Me
94. Gnarls Barkley - Smiley Faces
95. The Magic Numbers - Love Me Like You
96. Augie March - One Crowded Hour
97. Supermode - Tell Me Why (TV Rock Remix)
98. The Killers - Bones
99. Dallas Crane - Curiosity
100. The All-American Rejects - Move Along

Just a few quick notes here:

  • Yes, I have been critical of Sarah because I reckon the chorus doesn't keep up the momentum that it opens with. But what a start it is! As for the opening lyrics "Sarah / Won't you tell me your name?", well, that's somewhere between puzzling and pointless.
  • Look out for Australia's Wolf & Cub in 2007. This Mess has finally started getting play on Channel V.
  • I wish I'd given Dallas Crane's Factory Girls album more of a chance.

The Life Offline

Monday, January 15, 2007

Nearly four whole weeks since I knocked off from work last year - and just one 90 minute session on the Internet in that whole period. Some would call it a drought, I consider it a holiday. As much as the Internet can be a solution to boredom, too often boredom escalates into frustration as you realise that the people having fun generally aren't online willing to recount tales past. Predictably, I now only crawl back to the Internet and you, the readership at large, as this is my first day of full-time, non-intern work. Hey, if my manager wants a slack day, I'll be ... supportive. Yeah, supportive.

The cricket always seemed to keep me occupied. In fact, at one stage I was synchronising my lunch with the lunch break in the cricket, so much so that I felt like Australia's 12th man. In the past week I've seen two of Victoria's 20-20 matches, including the grand final win over Tasmania. Courtesy of that, and Bill Lawry's exclamational style of commentary, I am now a fiercely proud Victorian. Cameron White, Brad Hodge and Shane "Stickers" Harwood are bloody terrific - and hopefully Adam Crosthwaite will be Australia's next keeper of the future. That said, I am super impressed with Taswegian Ben Hilfenhaus' bowling. With his swing, Stuart Clark's accuracy and Brett Lee's pace, Australia's bowling attack should be solid for a good half decade. It's nice to see some of the "buzz" about Hilfenhaus actually being justified, as I felt that Mitchell Johnson was highly overrated and that Shaun Tait is shithouse, as his slinging action leaves him prone to inaccuracy and injury.

I had a terrific little trip away, just when I needed to escape the folks for a bit. It turned out quite well, as I arrived home the evening that my parents returned and they were more refreshed also. Helps to keep everything very friendly. The next morning I felt like a totally different person. In the style of George Dubya Bush, I "declared war" on the mess in my room and section by section, a little each day, I've got it back to a decent state - the best it's seen in years of neglect. In an odd way, I found the purging of my old stuff, that destructive nature, a little bit exciting. Imagine it as the caffeine free, diet version of pyromania, if you will.

The break was also the chance to do all those things I'd put off until exams and work were over. I haven't done all of them, but at least the list is down to four...and I actually made a list, which in itself is an achievement. I even became pumped to move out, spotted a nice place and all, but it looks like that one's on ice for a while. I could probably use a few months to accumulate more cash money, perhaps just to ensure that I am able to live it up when I do take the plunge. And not just have beanbags in the lounge. Let's face it: I'm in no hurry to be doing my own washing et cetera unless the folks try and put me under the thumb.

It's a shame that my week of post-holiday enthusiasm blew over before I had a chance to bring it into work. Yep, in one short week I discovered that insignificant menial tasks are the way that people (i.e. adults) manage to pass the time (FYI: in November I was seriously wondering how people did it). I even got a bit of a kick out of that sense of achievement, even if you knew it was easily achievable, it still had to be done (which for a lazy person is still a considerable step). It was an ultimately artificial and transparent exercise though - by the week's end I'd regressed back into the warm glow of TV, DVDs and video games. And it feels cosy.

I've been preoccupied with copying more DVDs and getting my hands on more music in the past week. My DVD collection is finally worthy enough to negotiate with the "Richlist" (of a guy at work). While I've made no blogs and only a few not-to-be-released video blogs, I have prepared my top 100 songs and top 10 (possibly 20) albums of 2006, with only a minimum of tinkering left to do on the album list. I've learned to accept that I'll never be able to listen to all the albums of 2006 that I want to, so I might as well post it now and revise it at year's end, as Jiggy does so effectively. Since I'll be online five days a week, keep checking back as I post the lists little by little, starting with 76-100 of the top 100 songs tomorrow I reckon.